Exhibitions during Covid-19: museums turn to ‘virtual couriers’ to protect unchaperoned art

    Whistlejacket (around 1762), George Stubbs's life-sized portrait of a racehorse, is currently on loan from London's National Gallery to the Mauritshuis in The Hague Photo: Ivo Hoekstra, Mauritshuis

    Necessity has been the mother of invention during the Covid-19 pandemic. Museum registrars have developed an innovative way for international loan exhibitions, many of which were postponed by the global lockdown, to go ahead this autumn. To overcome travel restrictions and sudden changes in quarantine rules, works of art that would normally be chaperoned in transit by a specialist will instead be monitored by “virtual couriers”.

    Paintings that are soon due to travel without a physical courier include Artemisia Gentileschis David and Bathsheba (around 1636-37). The Columbus Museum of Art in Ohio has agreed to lend the work to Londons National Gallery for its highly anticipated exhibition on the female Baroque artist. Originally scheduled for April, Artemisia is now due to open on 3 October.

    The Columbus Museum will track the paintings journey remotely using “extensive shared real-time digital communication” and electronic devices, among other safeguards, says a spokeswoman. “It helps that we have a longstanding collegial relationship with the National Gallery and an extensive history of loans between our institutions.”

    The Royal Academy of Arts in London switched to virtual couriers when its extended Picasso and Paper exhibition closed on 2 August. The loans, many of which came from the Musée Picasso-Paris, arrived in January accompanied by human couriers. But in the age of Zoom, a single virtual courier was able to oversee the exhibitions de-installation and condition-check the loans via the popular video-conferencing app, says a spokeswoman.

    The UK Registrars Group recently updated its guidance on the practicalities and pitfalls of virtual couriering. The groups president, David Packer, who is the registrar at the Fitzwilliam Museum at the University of Cambridge, says: “Of necessity, we have had to find ways to extend at least some of the risk mitigation that a courier affords using the technology available.”

    The guidelines note that a good wifi connection is crucial, as is a smartphone charger. No one wants their signal or battery to die at a critical moment during a lengthy video call when a valuable painting is in transit or being packed to return home.

    Registrars did not have to start from scratch when Covid-19 disrupted international exhibition preparRead More – Source

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