Christie’s $420.9m global relay sale was ambitious—but did they really need four auctioneers?

    Auctioneer Adrien Meyer led the fourth and final New York leg of Christie's One sale Christie's

    There were moments while watching Christies four hour live-streamed One sale when it was easy to become distracted by some paint drying on the wall—try as they might, this new generation of so-called "TV auctions" for our socially distanced age struggle to convey the excitement and urgency of a real-life salesroom.

    The much-anticipated global relay sale of 80 lots of Impressionist, Modern, post-war and contemporary art and design totalled $361.6m ($420.9m with fees), against a low estimate of $337m, with 94% sold by lot, 97% by value—a pretty impressive result. The sale was well strapped-up with guarantees beforehand—an enormous 38 of the 80 lots were covered by a guarantee, and all but two of them were backed by third parties. Therefore, from our calculations based on low estimates, over $230m worth of the sale was essentially pre-sold. (Christies declines to confirm any figures relating to guarantees).

    The format was an ambitious experiment—four auctioneers in Hong Kong, Paris, London and New York took it in turns to handle a portion of the sale, but all remained on the rostrum throughout the entire event, each fielding bids from the phone banks and a smattering of bidders in the room in their respective salerooms. Furthermore, each portion of the sale was held in a difference currency—Hong Kong dollars, euros, pounds sterling and US dollars. Still following?

    One was intended to illustrate the global and democratic nature of the Christies operation and was a considerable feat to pull off. It also showed, four hours later, that democracy can be time consuming and less is often more. But, when asked in the post-sale press conference if the format would be repeated, Christies president and principal auctioneer for the London section Jussi Pylkkänensaid: “For us it was an opportunity to invent a new language of auctioneering… Im looking forward to when we can have full salerooms across the globe with auctioneers linked up and taking bids, with perhaps 50 carefully selected lots. Because I think we could achieve stupendous results.”

    The sale started 45 minutes late, a reflection, says Christies technology chief Erik Jansson, not of a technical glitch (as was suspected by some) but of “Christies Live [bidding platform] doing what it was meant to do”—there were too many bidders, with more than 20,000 watching the sale, according to Christies chief executive chief executive Guillaume Cerutti.

    And when the sale did start, the buyer breakdown split fairly evenly with 37% of lots going to the US, 38% to Europe, the Middle East, Russia and India and 26% to Asia.

    Roy Lichtenstein's Nude with Joyous Painting, (1994), sold for $46,242,500 at Christies One sale

    The top lot of the sale was testament to the fact that Pop Art featuring naked women still sells—namely Roy Lichtensteins Nude with Joyous Painting, which was estimated in excess of $35m and guaranteed by a third party. After lengthy, creeping bidding, it sold for $40.5m ($46.2m with fees) in the New York section of the sale.

    In joint second place were Barnett Newmans Onement V and Brice Mardens Complements, both of which sold just below their low estimates at $27m ($30.9m with fees), presumably to their third party guarantors. The Marden also set a new artist record. Just behind was Picassos Les femmes d'Alger, again guaranteed with an estimate in excess of $25m, which went for $25.5m ($29.2m with fees).

    The major failure was in the opening Hong Kong segment, with a painfully long virtual silence as the sales cover lot, Zao Wou-Kis gestural abstract 21.10.63, failed to sell with an estimate in excess of $10m (one of the few big lots not shored-up by a guarantee). Christies also took a hit on one of the two house guarantees when a Philip Guston work failed to sell against hopes of $4m-$6m.

    Pablo Picasso's Les femmes dAlger (version F) (1955) sold for $29,217,500

    The sale set a cluster of new artist records, some of them forgone conclusions due to guarantees. In the Hong Kong section, the Japanese painter Takeo Yamaguchis abstract Yellow Quadrangle went for HK$12.5m (HK$15.1m/US$1.9m with fees) and George Condos Force Field sold at HK$45m (HK$53.1m/US$6.9m). In London, the Spanish artist Manolo Millaress oil and string on burlap work Cuadro 54 went for a record £900,000 (£1m/$1.3m with fees) while the British painter CRead More – Source

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